Opening Sept. 5 at the CU Art Museum, ‘Shaping Time: CU Ceramics Alumni 2000–2020’ focuses on themes including the environment, domesticity and rituals of home and material connections
Read MoreReview: Color Without a Theory
Color/Form: Color Theory and the Art of Ceramics - Diana Berger Art Gallery, Walnut, CA, September 14-October 19, 2023
Publication - What About Clay? A writing project about artworks made with clay - https://waczine.com/
Article by - Georgia Lassner
October 10, 2023
“With all I know about glaze formulation (have you done the dreaded triaxial glaze blend?), the idea of color theory in relation to glaze is perplexing. Does glaze not have its own theory, its own organizing principle, its own alluring alchemy? Is the science, and the madness, and the messiness, and the level of control one wrests or concedes to clay and its surfaces not a kind of practice unique to clay and pursued unto itself by so many clay freaks? Consider that one of many questions Color/Form: Color Theory and the Art of Ceramics proposes, and keep asking.“
Eye to Eye
Article: Tips and Tools: Working Backwards
Publication - Ceramics Monthly
Article by - Rebekah Myers & Tim Berg
May 2020
Check out our article “Working Backwards” in the Tips and Tools Section of the May 2020 edition of Ceramics Monthly. Planning from finish to start.
Originally published in May 2020 issue of Ceramics Monthly, pages (62-63). http://www.ceramicsmonthly.org . Copyright, The American Ceramic Society. Reprinted with permission.
Striking Gold: Fuller at Fifty - Catalogue
Honored to be included in this lovely exhibition. Please check out the catalogue published online at issuu.
https://issuu.com/fullercraftmuseum/docs/sgcatalogueforemail
"Striking Gold: Fuller at Fifty" is an exhibition at Fuller Craft Museum (September 7, 2019 - April 5, 2020) that explores gold through the work of 57 fine art and contemporary craft artists. This companion catalogue offers insightful essays about artwork appearing in the show as well as the many ways in which gold affects our lives. Museum Director Denise Lebica wrote the foreward. Maine poet laureate and longtime museum friend Stuart Kestenbaum offers a poetic meditation on the meaning of making and museums. Curator and art historian Suzanne Ramljak examines our ongoing love affair with gold through a phenomenological lens. Finally, Fuller Craft Museum Chief Curator of Exhibitions and Collections Beth McLaughlin provides an art historical context for gold and guides us through contemporary approaches, including the glittering objects in "Striking Gold."
Article: Test Sieve Brush - Ceramics Monthly, Tips and Tools
Publication - Ceramics Monthly
Article by - Rebekah Myers & Tim Berg
June/July/August 2019
Check out our article “Test Sieve Brush” in the Tips and Tools Section of the latest edition of Ceramics Monthly. Reduce, Reuse & Recycle while making useful new tools for your studio.
Originally published in June/July/August 2019 issue of Ceramics Monthly, pages (68-69). http://www.ceramicsmonthly.org . Copyright, The American Ceramic Society. Reprinted with permission.
Source: www.ceramicsmonthly.org
Review: Humor and human clay meld in 'The Incongruous Body' at AMOCA
Publication - Los Angles Times
Article by - Leah Ollman
August 25, 2018
“If there was any question about the connection between the material of the self — human clay — and the stuff of sculpture, Robert Arneson’s 1988 work on paper, "Head Wedged," makes the relationship clear. The ferociously funny Funkmeister renders himself in terracotta hues, scrunching his chin with one hand and reaching his opposite arm overhead to press against his temple. He's doing to himself what ceramic artists do to raw clay, knead it — wedge it — to get the air bubbles out and make the substance more pliable.”
An Interview With Artists Tim Berg And Rebekah Myers
Publication - Riot Material ART. WORD. THOUGHT.
Article by - Christopher Michno
January 25, 2018
"Tim Berg and Rebekah Myers work collaboratively to produce objects that are sensually appealing and refer to advertising, design, and glossy consumer products. Their work is intentionally ambiguous, mining objects for their capacity to mean different things to different people; and in this way, it operates both within a specific narrative, and as work about the nature of how we construct meaning. This Way Lies Madness (2018), their latest, a neon sign made for “Manifesto: A Moderate Proposal,” the exhibition at the Pitzer College Lenzner Family Gallery through March 29, adopts a line from King Lear. The sign reads “This Way Lies Madness Lies” and is shaped in a continuous circle. In a conversation in their Claremont studio, Myers and Berg discussed Madness, manifestos, and making objects that create space for dialog."...
What's a big green rabbit doing at Richardson’s CityLine?
Publication - Dallas News - Dallas Morning News.com
Article by - Steven Brown
Real Estate | December 1, 2016
"During the planning stages of CityLine, KDC's vision for a live-work-play environment included the installation of sculptures that would provide a vibrant backdrop for this new urban landscape," Walt Mountford, KDC executive vice president, said in a statement. "We are proud to welcome five unique pieces, by both local and national artists, each of which is unique in character and provides visitors with inspiration, entertainment and joy."...
Artists Timothy Berg and Rebekah Myers created the bright green, ceramic rabbit, which will be near the DART rail station at CityLine.
Five New Public Art Works For a Richardson Mixed-Use Development
Publication - Glasstire {Texas Visual Art}
News | December 1, 2016
"CityLine is a big new mixed-use development in Richardson; it’s 186 acres of retail + apartments/condos on a campus at Plano Road and the Bush Turnpike. The developers, KDC, have commissioned and/or purchased five new public sculptures by both regional and national artists for the CityLine campus, and as of this week they’re newly installed. The works are by Gordon Huether, Cliff Garten, Joseph Havel, Angela Mia De La Vega, and collaboration between Timothy Berg and Rebekah Myers."
See What's New at This Year's Art Southampton
Publication - Hamptons Magazine.com
Article by - Stephanie Murg
Culture | July 7, 2016
"A giant ice cream bar juxtaposed against a wooden stick licked clean of its frozen goodness will whet the appetites of collectors at this year’s Art Southampton. The glossy white sculpture, Now You See It..., by the duo of Tim Berg and Rebekah Myers and exhibited by Miami Beach’s Dean Project, nods to the age of Snapchat and the ephemerality of an art fair."
Contrasting sculpture exhibitions open July 1 at Faulconer Gallery in Grinnell
Publication - Grinnell College News
Thursday, Jun. 23, 2016
"On the Bright Side ...," the first exhibition in Iowa of works by California artists Tim Berg and Rebekah Myers, explores the way consumerism and branding tug on individuals' heartstrings. Their sculptures, smooth-surfaced and candy-colored, may provoke gallery visitors' senses of conservation and kleptomania in equal measure.
Exposure
Publication - Ceramics Monthly
Page 14, No. 4, Issue April, 2016
Archie Bray Foundation 2015 Resident and Visiting Artists Exhibition, at Belger Crane Yard Studios in Kansas Missouri.
Glaze: The Ultimate Ceramic Artist's Guide to Glaze and Color
Clay bodies, methods, properties, recipes, and workshop notes
Publication - Barron's Educational Series, Quarto Inc., 2014
Book by Brian Taylor & Kate Doody
Pages 77, 186-187
Thanks to Brian and Kate for including us in this beautiful book.
Clay's Sweet Symphony
Publication - Ceramics: Art and Perception
Article by Judy Seckler
Page 80-85, Issue 98, 2015
Porcelain that's less than precious at Northern Clay Center
Contemporary artists update traditional porcelain in a luxurious new show at Northern Clay Center.
Publication - Star Tribune (MInneapolis, MN)
Article by Mary Abbe
May, 22, 2014
2014 Scripps College Ceramic Annual
Publication - ART LTD.
Article by George Melrod
Page 18, March/April, 2014